Archive for the ‘The Future is in your Hands’ Category

Post Script

Friday, August 6th, 2010

Wanting a fitting climax to this chapter, he felt he had little alternative but to revisit the place where the chapter itself began.

A year and a week after the first trip, it was back to the seaside town that they forgot to shut down, where every day is like sunday. Morecambe always held a special place in his heart, for no real reason other than nostalgia and his childhood – but since August 2009, it also meant this.

Twelve months on, predicitions recorded, similarities noted, and resonances documented, it was time to see what the next twelve months on had in store. It had, for him, been a year of change – much had happened, most of which had been predicted, but was this a self-fulfilling prophecy? Or, as several observers had suggested, just a coincidence? Or, most intriguingly, was this a case of another fortune cookie (opened last September) being proved right?

Whatever the reasoning behind it, in a way he wanted closure, and as before, wanted to anticipate future events. Sceptics or psychics can probably predict the outcome, but this is what happened next.

Morecambe, 1st August 2010, 3.30pm

On the way they saw this guy.


He had decided to get dressed up for the occasion. He didn’t want her to remember him, and this was a different project now. Someone once suggested going for a fortune telling in disguise – this was as good as, his ‘new eyes’ being hidden by glasses, once again he was taking on a different persona.

The waiting room was different. He noticed new pictures: perhaps they’d had a re-decoration. Certainly, he hadn’t seen the photo before, the one with about fifty members of a family on, presumably at some funeral, judging by the solemn faces and the bouquets of sad-looking flowers. He looked closer, and recognised at least three of the women. They had all read his palm last summer – he knew most of them were related, but always presumed the first reading had been unique.

Maybe that explained the initial links.

He also noticed a new sign above the exit – one that read

EUROPEAN LAW STATES THAT PALM READINGS MUST BE SEEN AS A FORM OF ENTERTAINMENT

The curtain opened and there she was, showing out a girl – Lisa – who had been having her tarots read. She explained the family photo to the girl, who reckoned they were related in some way, as her grandfather’s cousin shared a name with the dead mother-in-law being mourned.

In he went.

He made the wish on the crystal ball – last year’s had come true, after all – and then they got down to business.

“These are very creative hands, very creative. You must put them to good use, and take care of them.”

Oh no, he thought, she must have read Jonathan’s blog, followed the project. After all, she had confused things with Lisa’s reading too – this one was good!

Disappointingly, or interestingly, however, pretty much the same script followed.

“You’ve been pig-headed and stubborn, you’ve made mistakes, but you don’t need to worry so much over the next year. You’ve got a long life line, you won’t be a burden, you’ve got good health, the odd trip to the doctor’s for medicines but that’s all. And your love line’s strong – you’re surrounded by very caring people who think a lot of you.”

The next part unsettled him a little.

“You bear the marriage line, and the widow’s line – which means you’ll be on your own, might be for a day, a week, or longer. I see an even number of children, and I see feathering, were you ill early on in your life?” He had been as a youngster.

Then, back to normal. he went on to mention the bottle or glass again. He knew who she means. The two-faced person too, he can identify this individual too now, nothing to worry about she said, “just a nuisance, that’s all, won’t cause harm to you or your family”.

“I see sugar in your palm… a birth, death and a marriage over the next eighteen months, the death will be someone over 75, not a surprise, you’ll have a good time at the wedding (he already had done the day before) I see travel but happy travel, holidays and that. I see changes at work, things will be more settled this year, and at home, are you looking to move?”

Did he have any questions, she asked. He was too busy trying to weigh up the accuracy of these prophecies, asking himself if this was to be a new chapter after all, or just a reprint. History couldn’t be about to repeat itself, surely?

He bought three lucky charms. A boxing glove, a fish, and an elf. These were very lucky, she said, he must look after them.

She took the money and bade him farewell, asked him to return and said he “should have the cards next time.”

That should be the end of the story, but unbeknownst to him, whilst he was inside, his accomplice had had an interesting encounter of her own. Looking at the ephemera in the window she was approached by an old woman in the beer garden next door.

Don’t waste your money!” she shouted. “She doesn’t know what she’s talking about. I went to see her, she said I won’t be a burden.”

“Won’t be a burden, pah! I’ve got terminal cancer.”

Then, he got home, lucky charms still in his pocket, and his goldfish had died.

And so it begins again.

August

Tuesday, September 1st, 2009

the truth

Ok so it’s just over a month since my first visits to fortune tellers, and part of the deal was to track the success or otherwise of what I was told.

In a funny way, my life has already changed somewhat since that initial trip. I had read a lot about how to interpret readings, but was not prepared for the surreality of the whole event, or the clarity and consistency of the messages I would be passed.

I feel like I have a little more direction, I definitely feel more settled about certain things. Like I wrote recently, things are coming together nicely. The past was yours but the future’s mine etc.

Away from the fortune tellers, I have also experienced some evidence of more synchronicity – coincidences in my friendship circles, for example, passport photograph faces identified, lottery numbers correctly dreamt, and I’ve had my e-mail account hacked twice – perhaps payback for my own playing with others’ identities.

But going back to the palm readings, I’ve also been told some fascinating stuff about gypsies in Ireland that I need to follow up, and have heard about a family friend who for years visited fortune tellers on a weekly basis.

From what I was told, well, I’ve been to a wedding, and been invited to another. I had a great time, as predicted.

I’ve heard of two pregnancies – not quite the happy news from loved ones I was promised, but extended family members so I suppose they still count.

No deaths as yet, thankfully.

Two people have decided to change their car, as was foreseen. I have made the decision to move flat, hopefully in a few weeks, and it does feel like the right decision, worth the wait. And we’ll find out from tomorrow whether those changes that are taking place at work, are for the best… Similarly, we don’t yet know if predictions of success in my work were correct – the forthcoming exhibition and start of term will tell us – but in the past week I have had some favourable comments and internet linkage for which I am extremely grateful. They are on www.wsag.org and www.mercyonline.co.uk if you’d like a look.

One of the snippets of information I was given has already been proven definitely wrong though, as wearing blue on my next outing with friends didn’t bring me luck at all as far as Everton were concerned.

I’m getting closer to finding out who the two-faced jealous guy might be. I’ve got my suspicions. In fact, seeing as I always like to involve you in my stories, check your phones and see if the number 07818691644 means anything to any of you, just out of interest – and if not, don’t hesitate to make anonymous prank phone calls to it late at night if you’d like - please let me know via theartist@jonathangreenbank.com if it does, or you do.

Talking of numbers, throughout September I’ll be seeing if those lucky ones bring that money I was promised – I’ll let you know how that goes too.

fortuneteller

What the world is waiting for…

Thursday, August 27th, 2009

When it came to presenting the findings in the academy for the exhibition, I had a clear idea in my mind as to what I wanted to present. Transferring the documentation to the gallery space was not a straightforward process, however, there were several issues which I first needed to resolve… My grand ideas of using the toilets as a place for ‘art outside the gallery walls’ or employing a fortune teller for the private view, had to be reined in and will be reserved for next year when we are the more prominent cohort.

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Similarly, I had a dilemma regarding just how much I wanted to ‘say’. By developing the narratives the way I have, I came to enjoy using my imagination in a playful way and encouraging others to interpret things the way they wanted to. Always careful to leave subtle clues and allow others’ imaginations to ‘fill in the gaps’, when presenting such a body of work to the public – many of whom would not be familiar with the style of my blog – I became conscious that there was a danger of giving too much away.

And finally, I was not confident enough about the short documentary I have made, to have it projected in the gallery, and preferred more intimate presentation via a laptop (with the accompanying soundtrack on the actual dictation machine I used during the readings) although clearly this is an area to explore for future practice. I have embraced new technologies in terms of my website, which has been an online exhibition of sorts with elements of collaboration, in terms of the comments submitted.

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I do, though, feel I have reached a balance in the physical installation I have ultimately produced.

Because I was creating a semi-fictional world, I wanted to present objects as if they were artefacts one might find in a museum, so borrowed some display cases and offered a fabricated cataloguing system for the objects related to each narrative. I have read that what I have created, could be described as alter-modern (being as I am, an artist working with super-modern themes with text and image across time and space) but throughout my journey, the concept behind what I have been doing has been key.

The art I have presented is not quite objectless, but is based on a mixture of fact, fiction and memory, scribbled notes or fantastic ideas. I was also keen to encourage at least some participation by viewers, even if I wasn’t letting them ‘in’ completely, and my submission fits the description given to conceptual art following the 1960s, by Daniel Marzona:

“At a stroke, art was understood as a special form of information, which was often presented as a combination of photography and text.. the beholder was now finally being urged to take part in the art actively, and often at considerable expenditure of effort…”[1]

The main body of the piece is quite minimalist, with traditional display methods underneath randomly-hung frames. My desk, notice board and reference books are there in the gallery too, to recreate my working space and hints at the processes I have followed, allowing viewers some access at least to the methods I employ, whilst the recreation of a fortune teller’s booth table, complete with free fortune cookies and fortune teller fish, is another playful gesture of involving members of the public in my story.

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Ultimately, this work presents my version and others’ interpretations of events from the past and in the future, so it should be recognised as a collaborative piece, even though many of my colleagues were unaware of their input. The installation’s title is ‘Halfway to Paradise’ because Billy Fury was a regular visitor to Blackpool fortune tellers related to some of those whom I myself frequented, but also because I find myself in a state of transition in many areas of my life, not least in transcending from a gloomy past (Unlucky for Some) towards a brighter future (which, as many a palm reading told me, is In Your Hands). A rejected alternative was the song lyric “The past was yours, but the future’s mine”[2].

Where I go from here is an interesting question. One small project I have already begun to undertake is mapping the findings of the seven readings and then log their resonance or otherwise what happens in my everyday life. This has already started (indeed, some of what I was told has come true this past week) and will be documented in a diary that will last exactly one year. In this I will also keep a record of every horoscope that I read during that time.

Another step I have tentatively taken is to document the responses of other people to what they are told by fortune tellers. The first experiment of this type gave rather unsurprising results, as during a return to Morecambe, my girlfriend was told almost exactly the same during a reading as I had been by the same fortune teller a month previous. I must then decide how to interpret this – either the fortune teller says the same thing all the time and makes up more than I do; she saw me coming and wanted to join in the game by giving false information; or, our fates are similar and we are simply meant to be together.

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I will also be writing a second series of short stories, based on people’s interventions in my future, following what I have been told will happen to me. These will be more difficult to create, but perhaps allow more theoretical foundations, especially if I continue my wider reading around the subject, on issues such as synchronicity, self-fulfilling prophecies, time travel and spirituality. 


[1] Taken from p7 of Marzona’s introduction to Conceptual Art (2006) Taschen, Cologne.

[2] A line from the song She Bangs the Drums by The Stone Roses (from the album The Stone Roses, 1989)